New found energy, new found purpose: that's what Not Without A Fight is
all about. The first New Found Glory album to bear the Epitaph logo
brims with fresh promise, showcasing a band comfortable in their own
skin and eager to get back to basics and present it all to the world.
Not Without A Fight is arguably the strongest addition to an impressive
catalog with no less than three gold records and some of the most memorable songs of the past decade.
Album opener "Right Where We Left Off" is an instant reminder of the
keen self-awareness that endeared New Found Glory to millions of fans
worldwide in the first place. And naming their album Not Without A
Fight? That's a nod to that other side of the group Epitaph owner Brett
Gurewitz called "the greatest pop-punk band in history," the side that
is scrappy, that's from the do-it-yourself scene. The side of a band who
probably never should have been lumped in with some of the more
teeny-bop friendly fare they've often shared the rock radio and TRL
charts with.
Lead single "Listen to Your Friends" flips the
script by rocking a verse even catchier than its chorus; "I'll Never
Love Again" boasts a killer singalong. "47" has a hooky scream that
breaks new ground for the Florida-bred five-some while "Truck Stop
Blues" summons the potent urgency of the burgeoning scene that New Found
Glory arose from, recalling a bygone era when they shared small stages
with their friends in Get Up Kids, Piebald and Saves The Day.
Not Without A Fight packs together the best elements of fan favorite
albums like Sticks and Stones (2002) and Catalyst (2004) with a
reinvigorated drive making for a declaration that's fresh and timely.
There's pop, there's punk, there's crunch, there's those irrepressible
melodies and Jordan Pundik's instantly recognizable voice is in fine
form.
"Nobody in New Found Glory loves anything as much as
this band," says guitarist Chad Gilbert, by way of explanation as to how
they have managed to maintain the same lineup - Pundik, Gilbert, Steven
Klein (guitar), Ian Grushka (bass) and Cyrus Bolooki (drums) - for over
ten years. "You fight with your mom. You don't hang out with her all
the time. But you love her! You're never going to hate her. We're
family. It might sound cliche, but that's what it is."
That
family first came together in Coral Springs, Florida in 1997. Nothing
Gold Can Stay (1999) and New Found Glory (2000) became classics thanks
to hard-touring and good natured relationship building the world over,
which ensured the next two albums (Sticks and Stones and Catalyst) would
both debut in the Top 5 on the Billboard 200 chart.
As
happens all too often, the uber-successful and beloved band found
themselves delivering Coming Home to a group of relative strangers who
lacked the same investment in them as before. By 2006, many of the folks
who worked with the band at the label had been replaced by new faces,
from the president on down. "At major labels, people are always losing
their jobs," Gilbert points out. "Someone can love your band one week
and the next week that person is fired."
With their recording
contract fulfilled and in between management, New Found Glory seized the
opportunity to have some fun while weighing their options, releasing
From the Screen to Your Stereo Part II (something their most ardent
supporters had demanded for years) and a split EP with their alter-ego,
International Superheroes Of Hardcore.
"It brought this
different attention to our band that we hadn't had in a while," Gilbert
says. "Through the major label years, some of those lines got blurred
because of some of the things the label did representing our band. With
the release on Bridge 9 Records, we were able to do things how we wanted
to do them. It was awesome."
In the midst of all of this, the
band continued to write their next album, which they ultimately decided
to record before choosing a new label. That's where +44 / Blink 182's
Mark Hoppus came in, agreeing to produce Not Without A Fight at the
studio he co-owns with Travis Barker. "He's an old friend of ours,"
Gilbert explains. "We had no money to make the record so we wanted
someone with the confidence to do the album for free and get reimbursed
later."
Eventually, of course, the label situation needed
sorted out, as the guys in New Found Glory have no desire to be in any
kind of "business" other than than business of writing great songs,
recording them and playing them live. "When we announced that we were no
longer signed to Geffen two years ago, Brett Gurewitz was the first one
to call me," Gilbert remembers. "'People at Epitaph are all music fans
and have their shit together."
And as for that spectacular
accolade from the man running their new record label home? "It's crazy!"
Chad says, laughing. "The Descendents could take that crown way before
we could, or Screeching Weasel, or Green Day. I don't know why he said
that! He's crazy. It's flattering. It's really flattering. But I don't
know what to say!"
New Found Glory's first Epitaph album has
no guest appearances, no frills, nothing but fantastic songs and
powerful performances. "If you really listen to our music, you can't
pigeonhole it. We play music that we love." Not Without A Fight is
alternately the band's most streamlined and direct but powerful and
broad album thus far.
"New Found Glory is back to where we want it to be: we tour, we play music and it's from the heart."

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